Francesco Arena:

Francesco Arena was born in Torre Santa Susanna, Brindisi, Italy, in 1978. Lives and works in Cassano delle Murge, Bari, Italy.

Francesco Arena’s recent solo exhibitions include: ‘Due ritratti con persona’, Sprovieri Gallery, London, UK (2018); ‘Perimetro
con quattro opere in uno spazio’, TRA, Treviso, Italy (2016); ‘Autumn Lines’, Sprovieri Gallery, London, United Kingdom
(2016); ‘Jannis Kounellis - Francesco Arena’, Palazzo Baronale, Novoli, Lecce, Italy (2015); ‘Onze mille cent quatre-vingt sept
jours’, Frac Champagne-Ardenne, Reims, France (2013).

He has also taken part in several group exhibitions, among which: ‘The Humans’, Kunstmuseum St.Gallen, St.Gallen,
Switzerland; ‘Bajo el brazo: entre la palma de la mano y la axila’, CaixaForum, Barcelona, Spain (2018); ‘MAXXI re-evolution’,
National Museum of XXI Century Arts, Roma, Italy (2017); ‘Mario Merz Prize. Finalists exhibition’, Fondazione Merz, Torino,
Italy (2017); ‘Happy ending’, curated by Florence Derieux, Frac Champagne-Ardenne, Reims, France (2016); ‘Ennesima’,
Triennale di Milano, Italy (2015); ‘Italy in Songeun. We have never been modern’, SongEun Artspace, Seoul, Korea (2014);
‘Vice Versa’, Italian Pavilion, 55 Biennale di Venezia, Venice, Italy (2013).


Enric Farrés Duran:


Enric Farrés Duran was born in Barcelona, Spain, in 1983. Lives and works in Barcelona.

Farrés Duran’s recent solo exhibitions include: 'Res es meu', Bolit Centre d'Art Contemporani, Girona, Spain (2018); 'Una exposición de mirar', Centro de Arte La Panera, Lleida, Spain (2017); 'Biblioteca sin títulos', Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain (2017; 'USELESS#2: Enric Farrés Duran. Paper Playing a Part', 56x45x25 and LACA , Los Angeles, US (2017); 'Tres cosas raras. Historia de una desaparición', Fundación Antoni Tápies, Barcelona, Spain (2014); 'Una colección heterodoxa, El legado T.F.', Museo Nacional d’Art de Catalunya, Barcelona, Spain (2014).

He has also taken part in several group exhibitions, among which: ´Biblioteques insòlites´, Ars Santa Monica, Barcelona, Spain (2018); 'Materia prima', Fabra i Coats cetre d’art contemporani, Barcelona, Spain (2017); 'Bibliotecas insólitas', La casa encendida, Madrid, Spain (2017); 'Passe/Impasse', Blueproject Foundation, Barcelona, Spain (2016); 'La realidad invocable', MACBA, Barcelona, Spain (2014).

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Alain Biltereyst:

Alain Biltereyst was born in Anderlecht, Belgium, in1965. Lives and works in Brussels, Belgium.

Biltereyst has taken part in several exhibitions, among which: 'Rapsody in blue', Museum Voorlinden, The Hague, Netherlands (2018); ´Urban Landscapes´, Geukens&De Vil, Knokke, Belgium (2018); ´NAP Amsterdam´, Ellen de Bruijne Projects, Amsterdam, Netherlands, (2018); 'How and About What', Hagiwara Projects, Tokyo, Japan (2017); 100 Years After De Stijl', Museum De Lakenhal, Leiden, Netherlands (2017); 'The B&W Project #5', Transmitter, Brooklyn, USA (2016); 'Form Folloes Functions?', Hugo Voeten Art Centre, Herentals, Belgium (2016); 'S/2, Chaste Paper', Sotheby's, New York, USA (2015); 'More or Less', Múrias Centeno, Oporto; Portugal (2014); '30/30 CCNOA', A/B/Contemporary, Zurich, Switzerland (2014); 'TAGtics', Quartair, The Hague, Netherlands (2013).

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Anne-Lise Coste:

Anne-Lise Coste was born in Marignane, France, in 1973. Lives and works in Orthoux, France.

Coste has taken part in several exhibitions, among which: ´Ton Crâne, Mon Crâne”, Reinhard Hauff Gallery, Stuttgard, Germany, (2018); ´Entusiasme. El repte i l´obstinació en la Colecció MACBA', MACBA, Barcelona, (2018); 'Inside Intensity The Anniversary Show', Museum Kurhaus, Kleef, Germany (2017); 'Things are getting better all the time...', Helmhaus, Zurich, Switzerland (2017); ‘La conquête de l’espace, la chute des feuilles, les neiges éternelles, l’avancée des déserts, la puce électronique’, Ellen de Bruijne Projects, Amsterdam, Netherlands (2017); ‘ONLY LOVERS’, Le Coeur Paris, Paris, France (2015); 'Blackboard-White page!' Kantonsschule Zürich Nord, Zurich, Switzerland (2014); 'Critical Episodes (1957-2011). Colección MACBA', Caixaforum, Barcelona, Spain (2013); 'Laat je haar neer (Let Your Hair Down)', Boijmans van Beuningen Museum, Rotterdam, Netherlands (2013).

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Leandro Erlich:

Leandro Erlich was born in Buenos Aires, Argentina, in 1973. Lives in Buenos Aires, Argentina.

Leandro Erlich’s recent solo exhibitions include: ´Sous le Ciel´, Bon Marché Rive Gauche, París, France (2018); ‘Leandro Erlich: Seeing and Believing’, Mori Art Museum Tokyo, Tokyo, Japan (2017); ‘Swimming Pool’, Voorlinden Museum, Wassenaar, Netherlands (2017); ‘Corre por la Música’, Museo de Arte de Tigre, Buenos Aires, Argentina (2017); ‘Enjoy’, Chiostro del Bramante, Rome, Italy (2017); ‘Certezas Efímeras’, Fundación Telefónica, Madrid, Spain (2017); ‘Full Moon’, Voorlinden Museum, Wassenaar, Netherlands (2017); ‘Port of Reflection’, Neuberger Museum of Art, New York, US (2017); ‘Seeing and Believing’, Mori Art Museum, Tokyo, Japan (2017); ‘Puerto de Memorias’, MUNTREF, Buenos Aires, Argentina (2016); ‘Port of Reflections’, MMCA, Seoul, Korea (2014).

He has also taken part in several group exhibitions, among which:´A Beautiful Elsewhere´, Fondation pour l´Art Contemporain, Power Station of Art, Shanghai, China (2018); ‘No Place like home’, The Israel Museum, Jerusalem, Israel (2017); ‘Nonexistent Place’, JUT Art Museum, Taipei, Taiwan (2017); ‘Impermanencia: La Mutación del Arte en una Sociedad Materialista’ XIII Bienal de Cuenca, Cuenca, Spain (2016); ‘Full Moon’, Museum Voorliden, Wasenaar, Netherlands (2016); ‘Borges: Ficciones de un tiempo infinito’, Centro Cultural Néstor Kirchner, Buenos Aires, Argentina (2016); ‘Visual Deception II: Into the Future’, Nagoya City Art Museum, Nagoya, Japan (2015); ‘Lexus Hybrid Art’, Theatre Rossiya, Moscow, Russia (2015); ‘Daros Latinamerica’, PROA, Buenos Aires, Argentina (2015); ‘Invento | As Revoluções que nos Inventaram’, OCA, São Paulo, Brazil (2015); ‘BUNNY SMASH design to touch the world’, Museum of Contemporary Art Tokyo, Tokyo, Japan (2013); ‘Jetztzeit (el tiempo del ahora) + La espalda del ángel’, Centre d'art la Panera, Lleida, Spain (2013); ‘Una mirada múltiple. Colección de Ella Fontanals-Cisneros’, XI Bienal de La Habana, Museo Nacional de Bellas Artes (MNBA), La Habana, Cuba (2012).

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Rubén Grilo:



Rubén Grilo was born in Lugo, Spain, in 1981. Lives and works in Berlin, Germany.

Grilo’s recent solo exhibitions include: 'I am, etc', Future Gallery, Belgium (2018); 'Proof of Concept', Union Pacific, London, UK (2016); 'Cuando las líneas son tiempo', Espai 13, Fundació Joan Miró, Barcelona, Spain (2015); 'Mit eigener Hand', Kunstverein Hildesheim, Hildesheim, Germany (2014); 'Access Rigmarole', CA2M, Móstoles, Spain (2014); 'The Need For Speed', CIRCA Projects, Newcastle, UK (2013); 'They’re not All Funny but They Are in a Row', 1646, The Hague, Netherlands (2012).

He has also taken part in several group exhibitions, among which: ‘Propuesta para un archivo de vídeo’, Hamaca – Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain (2018); ‘Adverbios temporales’, CentroCentro, Madrid, Spain (2018); 'Muchos caminos', MUSAC, León, Spain (2017); 'Hybrid Layers. With Metaphysics', ZKM Center for Art and Media, Karlsruhe, Germany (2017); 'Vestir i desvestir cossos. Fenomenologies d’aparició', Centre d’art La Panera, Lleida, Spain (2016); 'wow! Woven? Entering the (sub)Textiles', Künstlerhaus Halle für Kunst & Medien, Graz, Austria (2015); 'Insomnia Extended Club', Kunsthalle Wien Karlsplatz, Wien, Austria (2014);'III Manifesto. Art Today, Facing Doubts', Fabra i Coats cetre d’art contemporani, Barcelona, Spain (2014); 'Itinerarios', Fundación Botín, Santander, Spain (2014).

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Marine Hugonnier:

Marine Hugonnier was born in Paris, France, in 1969. Lives and works in London, UK.

Recent solo exhibitions include: ‘Ties II. Pietro Consagra & Marine Hugonnier’, The Italian Cultural Institute, London, UK (2017); ‘Ariana, Film and Media Studies at the Univerity of Vienna’, Filmmuseum, Vienna, Austria (2016); ‘Welcome Bees!’, BAU, Tyrol, Italy (2016); ‘Travelling Amazonia’, Utah MOCA, Salt Lake City, US (2015); ‘Double feature - Apicula Enigma’, Schirn Kunsthalle, Frankfurt, Germany (2015); ‘Films works: Marine Hugonnier’, Museum of Contemporary Arts, Seoul, Korea (2014); ‘Apicula Enigma’, BALTIC Centre for Contemporary Art, Gateshead, UK (2014); ‘Apparent Positions: Ariana’, Sainsbury Centre for Visual Arts, Norwich, UK (2013).

She also has taken part in several group shows as: ´Walking on the fade out lines´, Rockbund Art Museum, Shanghai, China, (2018); 'Beehave', Fundación Joan Miró, Barcelona, Spain (2018); ‘Like a Moth to a Flame’, Fondazione Sandretto Re Rebaudengo, Turin, Italy (2017); ‘La dissidència nostálgica’, La Capella, Barcelona, Spain (2017); ‘Y He Aquí La Luz’, Museo de Arte del Banco de la República de Bogotá, Bogotá, Colombia (2017); ‘Modernismus’, PLATO Ostrava, Ostrava, Czech Republic (2016);‘No se escribe, luminosamente, sobre un campo oscuro’, Centro José Guerrero, Granada, Spain (2016); ‘Landscape in Motion, Filmic perspectives on an Uncertain Tomorrow’, Universalmuseum Joanneum, Kunsthaus Graz, Austria (2015); ‘Cultural cartographies- Mapping Man Made interventions in Contemporary Landscapes’, New Genres Gallery, UMOCA, Utah Museum of Contemporary Arts, Salt Lake City, US (2014).

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Christopher Knowles:

Chistopher Knowles was born in New York, US, in 1959. Lives and works in Nueva York, US.

Chistopher Knowles’ recent exhibitions include: ‘In a Word’, Contemporary Museum of Art, Houston, US (2017); ‘Christopher Knowles’, Fonoteca Nacional de México, Ciudad de México, Mexico (2015); The Joycean Society’, Museum Bojimans, Rotterdam, Netherlands (2015); ‘Black, White and red all Over’, Triennale di Milano, Milan, Italy (2014); ‘The Sundance Kid is Beautiful’, The Louvre Museum, Paris, France (2013); ‘Ecstatic Alphabets/Heaps of Language’, MoMA, New York, US (2012); ‘En el primer cercle’, Fundació Antoni Tàpies, Barcelona, Spain (2011).

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Fran Meana:

Fran Meana was born in Avilés, Asturias, Spain, in 1982. Lives between Asturias, Spain and London, UK.

His most importante exhibitions include: ´Sytem Recovery´, Assembly Point, London, UK (2018); ‘Generación 2018’, La Casa Encendida, Madrid, Spain (2018); ARQUITECTURAF: Cómo vivir con la memoria’, MUSAC, León, Spain (2018); ‘Future Archaeologies,’ MUPAM, Málaga, Spain (2017); ‘Del Rigor en la Ciencia’, Centro Parraga, Murcia, Spain (2017); ‘Arqueologías del futuro’, Laboral Centro de Arte y Creación Industrial, Gijón, Spain (2016); ‘Hiperobjetos’, COAM, Madrid, Spain (2014); ‘Aprender a caer’, La Casa Encendida, Madrid, Spain (2014); ‘Tiempos Abiertos’, DA2 Domus Artium, Salamanca, Spain (2014); ‘Blank, ‘Prospects & Concepts – Mondriaan Fonds toont talent’, Van Nelle Fabriek, Rotterdam, Netherlands (2014).

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Ester Partegàs:

Ester Partegàs was born in La Garriga, Barcelona, Spain, in 1972. Lives and works in New York, US.

Her most important solo exhibitions include: ‘The Source’, Public Sculpture for Percent For Art, New York City Department of Cultural Affairs Commission, New York, US (2015); ‘The Restless Gardens. Curating the Collection’, Centre d’Art La Panera, Lleida, Spain (2015); ‘Samesation’, Domus Artium 2, Salamanca, Spain (2013), ‘Tale of Two Gardens’, Chinati Foundation, Marfa, US (2012).


She has also taken part in group shows as: ´No todo es color´, Sala la Pasión, Valladolid, Spain (2018); ‘Art in the Open. Fifty Years of Public Art in New York City’, Museum of the city of New York, New York, US (2017); ‘Matèria Primera’, Fabra i Coats, Barcelona, Spain (2017); ‘Gut feelings’, Zuckerman Museum of Art Galleries, Kennesaw University, Georgia, US (2017); ‘Una Mirada abierta. Colección Coca-Cola’, La conservera, Murcia, Spain (2016); ‘El desarreglo. El curioso caso del arte despeinado. Colección Artium’, Artium, Vitoria-Gasteiz, Spain (2015); ‘In __ We Trust: Art and Money’, Columbus Museum of Art, Columbia, US (2015); ‘Los jardines inquietos’, Centre d’Art la Panera, Lleida, Spain (2015); ‘Especies de Espacio’, MACBA, Barcelona, Spain (2015); ‘Branched. Trees in Contemporary Art’, Museum Sinclair Haus / Altana Kultur Stiftung, Bad Homburg, Germany (2014).

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Perejaume:

Perejaume was born in Sant Pol de Mar, Cataluña, Spain in 1957. Lives and works in Sant Pol de Mar, Cataluña, Spain.

Perejaume’s recent exhibitions include: ´La rel de l´abre és una roda´, Fundació Palau, Barcelona, Spain (2018); 'Bajo el brazo: Entre la palma de la mano y la axila', Caixaforum, Barcelona, Spain (2018); 'El arte y el sistema (del arte)', Artium, Vitoria-Gasteiz, Spain (2017); 'Landmarks', Blue Mountains Cultural Centre, Katoomba, Australia (2017); 'Colección Soledad Lorenzo. Punto de encuentro // Cuestiones personales', Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain (2017); 'Imbalance', Laznia Centre for Contemporary Art, Gdansk, Poland (2017); 'Col·lecció MACBA. Sota la superficie', MACBA, Barcelona, Spain (2017); 'Col·lecció permanent, carte blanche a Isaki Lacuesta', Es Baluard, Palma de Mallorca, Spain (2016); 'La máquina de pensar. Ramon Llull i l’”ars combinatoria”', CCCB, Barcelona, Spain (2016); 'Colección XIII. Hacia un nuevo museo de arte contemporáneo', CA2M, Madrid, Spain (2016); 'Una mirada en abierto, obras de la Colección Fundación Coca-Cola', La Conservera, Ceutí, Spain (2016).

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Wilfredo Prieto:



Wilfredo Prieto was born in Sancti Spiritus, Cuba, in 1978. Lives and works in Havana, Cuba.

His most important solo exhibitions include: ´Houses whitout people, people whitout houses´, Annet Gelink Gallery, Amsterdam, Holland (2018); 'Papas, piedras', Mendes Wood DM, Sao Paulo, Brazil (2017); 'No se puede hacer una revolución con guantes de seda', Kurimanzutto, Mexico City, Mexico (2016); 'Error de sistema', Museo de Arte Contemporáneo del Zulia, Maracaibo, Venezuela (2015); 'Ping-pong cuadrícula', Museo Nacional de Bellas Artes, Havana, Cuba (2015); 'Speaking Badly about Stones', S.M.A.K, Ghent, Belgium (2014); 'Dejándole algo a la suerte', Sala de Arte Público Siqueiros, Mexico City, Mexico (2012); 'Balancing the curve', Pirelli HangarBiccoca, Milano, Italy (2012); 'Amarrado a la pata de la mesa', CA2M, Madrid, Spain (2011); 'Izquierda/Derecha', Museo de Arte Contemporáneo de Vigo (Marco), Vigo, Spain (2011); 'A moment of silence, Artists Web Projects', Dia Art Foundation, New York, USA (2007); 'Mute', McMaster Museum of Art, Hamilton, USA (2006); 'Dead angle', Kadist Art Foundation, Paris, France (2006); 'Mucho ruido y pocas nueces II'. MUSAC, León, Spain (2005).

His work has also been included in numerous group shows: 'Adiós Utopía', Walker Art Museum, Minneapolis, USA (2017); 'Art x Cuba. Contemporary Perspectives since 1989', Museum Ludwig Forum, Aachen, Germany (2017); Cuban Pavilion, Biennale di Venezia, Venice, Italy (2017); 'Under the Same Sun: Art from Latin America Today', South London Gallery, London, UK (2016); 'Transhumance', CAB Art Center, Brusels, Belgium (2016); 'Another Part of the New World', Moscow Museum of Modern Art, Moscow, Russia (2015); 'The Metabolic Age', MALBA, Buenos Aires, Argentina (2015); 'Unplace, virtual exhibition', Fundaçao Calouste Gulbenkian, Lisbon, Portugal (2015); 'Itinerarios XXI', Fundación Botín, Santander, Spain (2015); 'A Story. Art, architecture and design from 1980 until now', Pompidou, Paris, France (2014); 'Bajo el mismo sol: arte de Latinoamérica hoy', Solomon R. Guggenheim Museum,New York, USA (2014).

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Shimabuku:

Shimabuku was born in Kobe, Japan, in 1969. Lives and works in Berlin, Germany.

His recent solo exhibitions include: ´Bow to Bow´, Amanda Wilkinson, lONDON, UK (2018); ‘While I was also Listening To …’, La Criée - Centre d‘art contemporain, Rennes, France (2017); "The Snow Monkeys of Texas” Freedman Fitzpatrick, Los Angeles, US (2016); ‘Flying Me’, Kunsthalle Bern, Bern, Switzerland (2014); “When Sky was Sea” Contemporary Art Gallery, Vancouver, Canada (2014); ‘Shimabuku: Noto’, 21st Century Museum of Contemporary Art, Kanazawa, Japan (2013).


Shimabuku has also participated in roup exhibitions as: 'L'Envol', La Maison Rouge, Paris, France (2018); 'In Tune to the World', Fondation Louis Vuitton, Paris, France (2018); ‘AQUA’, Chateau de Penthes, Geneva, Switzerland (2017); ‘VIVA ARTE VIVA’, 57th International Art Exhibition, La Biennale de Venezia, Italy (2017); ‘Futures’, CAC: Contemporary Art Center, Lithuania (2017); ‘FOOD–Ecologies of the Everyday’, 13th Triennial of Small-Scale Sculpture, Fellbach, Germany (2016); ‘Development’, Okayama Art Summit 2016, Okayama, Japan (2016); ‘Take Me To The River’, Dojima River Biennale, Osaka, Japan (2015); ‘The Way Things Go’, Yerba Buena Center for the Arts, San Francisco, US (2015); ‘A History’, Centre Georges Pompidou, Paris, France (2014).

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Ignacio Uriarte:

Ignacio Uriarte was born in Krefeld, Germany, in 1972. Lives and works in Berlin, Germany.

Ignacio Uriarte’s recent solo exhibitions include: ´Divisions and Reflections´, i8 Gallery, Reykjavík, Iceland (2018); 'How to Define Space', White Space, Beijing, China (2017); 'Particiones, Ladera Oeste, Guadalajara, Mexico (2016), 'Three', Mies van der Rohe Foundation, Barcelona, Spain (2015); 'Unos y ceros', Marco Vigo, Spain (2014); 'Infinity', AMoA-Art House, Austin, USA (2013); 'Binaries', Utah Museum of Contemporary Art, Salt Lake City, USA (2013); ‘Line of Works', The Drawing Center, New York, Spain (2012); 'Works', Centre d’Art la Panera, Lleida, Spain (2012); 'The invention of letters', PICA Perth Institute of Contemporary Arts, Perth, Australia (2010).

He has also taken part in several group exhibitions, among which: ´Germany is not an island´, Kunsthalle Bonn, Bonn, Germany (2018); 'La perspectiva esencial. obras de la colección Helga de Alvear', Centro de Arte Alcobendas, Alcobendas, Spain (2018); 'Art and Alphabet', Kunsthalle Hamburg, Hamburg, Germany (2017); 'Conversation Piece', La Galleria Nazionale, Roma, Italy (2017); 'Concret', Nationalmuseum, Berlin, Germany (2016); 'Drawing - The bottom line', S.M.A.K. Ghent, Belgium (2015); 'Especies de Espacio', MACBA, Barcelona, Spain (2015); 'Dibujo contemporáneo en la colección DKV, DA2, Salamanca, Spain (2014); 'Voyages Interieur', Maison Particulière art center, Brussels, Belgium (2013); 'Cantastoria', Utah Museum
of Contemporary Art, Salt Lake City, USA (2012).

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